Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Jjean-Marc nattier
Portrait of Jeanne Louise de Lorraine, Mademoiselle de Lambesc (1711-1772) and her brother Louis de Lorraine, Count then Prince of Brionne

ID: 76381

Jjean-Marc nattier Portrait of Jeanne Louise de Lorraine, Mademoiselle de Lambesc (1711-1772) and her brother Louis de Lorraine, Count then Prince of Brionne
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Jjean-Marc nattier Portrait of Jeanne Louise de Lorraine, Mademoiselle de Lambesc (1711-1772) and her brother Louis de Lorraine, Count then Prince of Brionne


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Madame de Maison-Rouge as Diana | Anne Henriette of France represented as Flora | Catherine I of Russia by Nattier | The Marquise de Vintimille as Aurora, Pauline Felicite de Mailly-Nesle | Madame Louise of France |
Related Artists:
Bartholomeus van Bassen
(1590 - 1652) was a Dutch Golden Age painter and architect. Van Bassen was born in Antwerp. Little is known of his early life, but according to the RKD he became a member of the Delft Guild of St. Luke in 1613. In 1622 he moved to the Hague, where he became a member of the The Hague Guild of St. Luke two years later and where he became dean in 1627 and headman in 1636 and 1640. He is known for his architectural works, sometimes with staffage by the painters Anthonie Palamedesz, Esaias van de Velde, and Jan Martszen de Jonge.
MIGNARD, Pierre
French Baroque Era Painter , b. 1612, Troyes, d. 1695, Paris called "Le Romain" to distinguish him from his brother Nicolas, was a French painter. He was born at Troyes, and came of a family of artists; he also needs to be distinguished from his nephew Pierre (1640-1725), often called "Pierre II" or "Le Chevalier". In 1630 he left the studio of Simon Vouet for Italy, where he spent twenty-two years, and made a reputation which brought him a summons to Paris. Successful with his portrait of the king, and in favour with the court, Mignard pitted himself against Le Brun, declined to enter the Academy of which he was the head, and made himself the centre of opposition to its authority. The history of this struggle is most important, because it was identical, as long as it lasted, with that between the old gilds of France and the new body which Colbert, for political reasons, was determined to support. Portrait of Louise de Kerouaille, Duchess of PortsmouthShut out, in spite of the deserved success of his decorations of the cupola of Val de Grace (1664), from any great share in those public works, the control of which was the attribute of the new Academy, Mignard was chiefly active in portraiture. Turenne, Moliere, Bossuet, Maintenon (Louvre), La Valliere, Sevigne, Montespan, Descartes (Castle Howard), all the beauties and celebrities of his day, sat to him. His readiness and skill, his happy instinct for grace of arrangement,
SOMER, Paulus van
Flemish Baroque Era Painter, ca.1576-1621






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